new production

Quietly foams the Now #2

Dance and Music Performance

Violin: Hannah Weirich, Accordion: Eva Zöllner
Dance: Neus Barcons Roca, Britta Lieberknecht
Lighting Design: Garlef Keßler

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In the series „Leise schäumt das Jetzt“, Britta Lieberknecht explores improvisation as performance in various formations. The encounter of dance and music is crafted into a poetic work with ever-new facets—100% improvised before the eyes and ears of the audience.

Leise schäumt das Jetzt #2“ brings together musicians Hannah Weirich, known as a violinist of innovative compositions in contemporary music with the Ensemble Musikfabrik, and Eva Zöllner, a globally active accordionist who plays her instrument with an exceptionally rich sound spectrum. They meet the two dancers Neues Barcons Roca and Britta Lieberknecht. Neues Barcons Roca is known in Cologne as an outstanding soloist and ensemble member with Britta Lieberknecht and Mouvoir. Britta Lieberknecht, experimental in her long history with the avant-garde of dance performance, again dedicates herself to the synergy of sound and movement with this team. An encounter of exuberant confrontation to softly foaming, delicate intimacy. Garlef Keßler bathes the interactions in colorfully iridescent spaces — also improvised.

Hannah Weirich studied violin with Prof. Agostini at the Hochschule für Musik Stuttgart and in masterclasses with Gulli, Neamann, Ozim, and Zsigmondy a.o. As a soloist, she has performed with the Nuremberg Symphony, the Kraków State Philharmonic, and the Hagen Philharmonic Orchestra. She collaborates with ensembles such as Resonanz, ascolta, ensemble plus, Neue Vocalsolisten Stuttgart, Contemporaneartensemble (Florence), and the jazz group Shreefpunk. Since 2005 she has been a member of Ensemble Musikfabrik.

Eva Zöllner studied accordion at the HfMT Cologne and at the Royal Danish Conservatory in Copenhagen. She collaborates with composers around the world. Her work ranges from experimental solo performances and interdisciplinary projects (a.o. solistic collaboration with Marina Abramović) to collaborations with renowned ensembles such as musikFabrik, HR-Sinfonieorchester, Ensemble Modern, NDR Elbphilharmonie Orchester, and the Royal Opera House Covent Garden.

Neus Barcons Roca trained in contemporary dance at EESA/CPD of the Institute of Theatre Barcelona and SEAD Salzburg. She choreographs and teaches, together with Matevz Dobaj, based in Brussels. In Cologne, she danced as an ensemble member and soloist with Britta Lieberknecht and Mouvoir/Stephanie Thiersch.

Britta Lieberknecht has been creating interdisciplinary performances since 1979. After training in NYC with various pioneers of postmodern dance and at the Merce Cunningham School, she became a member of PLAN K (Fréderic Flamand) in Brussels. Since 1992, she has produced her work in Cologne and specializes in the interaction of dance and music. Through improvisation she continues to develop as a dancer of an older generation.

Sat 13.12.25, 20:00 PREMIERE
Sun 14.12.25, 18:00

Alte Feuerwache Köln / Halle
Melchiorstr. 3
50670 Köln

Performance

Performance Collective PML

performs in Room Service by Gregor Weber
Thurs 20./ Fr 21./ Sat 22. November 18:30 and 21:00
Sun 23. November 17:30 and 20:00
Kunsthaus Rhenania, Köln
Info: https://www.kunsthaus-rhenania.de/

Performance

Shifting Borders

Part of the exhibition „Opening Circles“
Cello, Vocals: Marei Seuthe
Dance: Christiane Budden, Britta Lieberknecht, Erika Winkler

Public Try Out
Mo 6. October 2025 | 11:30

Vernissage and performance
Tues 7. October 2025 | 19:00

Open KREIShouse – Day of the open Door
Sat 11. October 2025 | 12:00 – 18:00
Performance 12:30

PLACE Kreishaus Bergisch Gladbach, Am Rübezahlwald 7, 51469 Bergisch Gladbach

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Shifting Borders
Dance and Music Performance
(15 minutes)

The exhibition project “Opening Circles” highlights aspects of the 1975 regional reform in the Rheinisch-Bergischer District. The districts were restructured and cities and villages reassigned. Some localities were separated from neighboring areas, while others were assigned to different cities and districts than before. This shifting of invisible administrative boundaries continues to affect how people communicate with each other today.
This prompts Britta Lieberknecht to reorganize and experimentally stage the familiar spatial setting of a performance. In its performance, the group explores how shifting the boundary between performers and audience affects perception and communication. The audience is seated in the large conference hall of the district building in an unusual way, and the familiar distance between audience and performers is altered. The performers play with proximity and distance to the audience. For both the audience and the performers, the uncommon spatial arrangement changes perception and offers new perspectives. Three female dancers and a cellist will unfold performances that are situationally bound and unique each time.

Exhibiting artists: Claudia Betzin, Jutta Dunkel, David Grasekamp, Britta Lieberknecht, Helga Mols, Veronika Moos, Margret Schopka, Ulrike Oeter, Michael Wittassek

  • 04.05.2025 | Performance in der Ausstelllung “Ansichtssache”  von Claudia Betzin| Haus der Kunst Nümbrecht
  • 10.08.2025 | Vorpremiere Leise schäumt das Jetzt #2 | Kultursommer Bergisch Gladbach
  • 07.10.2025|Grenzen verschieben| Kreishaus Bergisch Gladdbach
  • 11.10.2025|Grenzen verschieben| Kreiskulturtag Bergisch Gladbach
  • 20./21./22./23.11.2025| Performance Kollektiv PML in ROOM SERVICE| Kunsthaus Rhenania, Köln
  • 13./14.12.2025| PREMIERE Leise schäumt das Jetzt #2| Alte Feuerwache Köln

News

Guest teacher with

Dance your Anatomy

at the University for Sports Cologne M.A. Dance

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Since completing her training as a Feldenkrais teacher, Britta Lieberknecht has been developing DyA for amateurs, dance students and professionals. She integrates her knowlegde about movement from her experiences as physiotherapist, Feldenkrais Teacher, BMC studies and her life long exploration of dance.

We explore the anatomy of our musculoskeletal system and its function and take it into dancing.
The aim is to differentiate movement and to complete the body image and self-image. The result is freer and better guided movement and acess to our own rich potential.
We resolve unclear areas in our body and body image. As we embody them and integrate their function, they support our dancing in a new and better connected way. They also have an emotional and energetic side which may express itself.

With the help of 3D projections and explanations we trace the living anatomical structure within our own body.
First we touch and feel the structure hands on and get to know it through small functional movements. We experience precisely how its function takes part in our loccomotion and how it connects to our entire movement system. We integrate it into our senses and equilibrium system. Playfully improvising we get to use it as a source for dancing and creativity.

The are several sequential teaching units for each part of the body. They can be practised and taught as well singular.